Tag: record industry

5/22/1998

“Start spreading the news…I’m leaving today…”

In case you haven’t heard, Frank Sinatra died last week.  In the over-hyped world of journalism, the magnitude of print and television footage devoted to Frank’s  passing has gone way past overkill.  In an era where a worthless, ignorant nobody can garner national air time and newsprint just for refusing to pull over on a Los Angeles freeway, the passing of someone as monumental as Frank Sinatra seems somehow trivialized.  That’s too bad.

I find it sad that so many people are mourning Frank’s death.  There should be no tears for Frank.  We shouldn’t be sad that he’s gone on to that big band in the sky.  What we should be doing is celebrating his life.  Frank was “the kind.”

Let’s face it.  Frank wasn’t really a part of our generation.  He belonged to our parents…or grandparents.  At least, that was what we thought.  But Frank had the unique ability to transcend space and time.  The older we got…the better Frank sounded.  My grandfather loved Frank.  My daughter loves Frank.  Who am I to break the chain?

No matter how old you are, Frank Sinatra is cool…always was…always will be.

His music is timeless.  When you bring a date back to your house, dim the lights, light the fire and turn on Sinatra, it means only one thing.  You want to talk?  Turn up the Jazz.  You want to dance?  Try Disco.  You want to close the deal?  Put on Sinatra.

Frank always works

Frank lived a hedonistic lifestyle of the most outrageous order…and later had time to repent, reflect and become an elder statesman.  Who could ask for anything more?

Frank did it his way…asking no quarter and giving less.  It was his way or the highway…in business and pleasure.

Although glorified in The Godfather as part of the Mafia, it wasn’t true.  He had all of the positives without the downside.  Frank wasn’t a part of the mob.  He was the mob’s favorite singer.  How cool was that?

Much has been made of Frank’s friendship with Sammy Davis, Jr.  I don’t know how many specials I saw this weekend detailing the events surrounding Sammy’s plight and Frank’s rescue.  Most highlighted how Frank struck a huge blow for civil rights by refusing to perform at clubs that wouldn’t hire Sammy.

Those stories miss the point.  Frank wasn’t using his formidable pressure to advance the cause of civil rights.  Frank did it because Sammy Davis was his friend.  End of story.  If you liked Frank, you had to like his friends.  If you caused  one of his friends pain, Frank would be your enemy for life.  Frank didn’t care whether Sammy was black or white.  Color had no bearing on his friendship.  That says more about Frank than any civil rights message he could have delivered.

I had the good fortune to meet the man in the perfect setting…Las Vegas.  Frank was performing at Ceasars in the late ‘70s.  In  those days, when Frank headlined, high- rollers from around the world descended on Ceasars.  You couldn’t find a $5 table if your life depended on it.

I was with Wes Farrell, who was married to Frank’s daughter, Tina. After the show, Frank wanted to play blackjack.  Walking through the casino with Frank was like walking with Moses.  We were surrounded by bodyguards and the people parted like the water in the sea.  Nobody asked for autographs.  Nobody shouted, “You’re the man!”  It was if a deity was present…and indeed, one was.  The crowd was quiet and respectful.

Frank drew every ounce of energy out of that huge room.  All the focus was on him.  The dice rolled “snake-eyes” just so they could get a look.  And Frank didn’t seem to notice.  He was cool.

The three of us sat at a private table and began playing blackjack.  Frank and Wes were talking.  I didn’t say a word.  I was just happy to be there.  Unfortunately, I didn’t last long.  I was not yet 30, unseasoned in the world of finance and gambling…and way short of being cool.  I dropped the $300 in savings I brought in less than 15 minutes.

I mumbled something to Wes about just being a spectator for the rests of the evening.  Frank said,  “What’s the matter, kid? Don’t you want to play?”

I was embarrassed.  “I don’t have any more money,” I stammered.  “I’ve lost every hand.”

Frank flipped a $25 chip in front of me.  “Let’s see if this will work.”  He looked up at the dealer.  “He isn’t going to lose any more, is he, Bernie?”

I didn’t lose another hand.  I won all my money back and then some.  Frank always worked.

My other story is much less personal.  Or maybe not.  It shows how Frank’s music moves across all barriers.  Not long ago, my good friend Harry Nelson and I spent a wild Saturday night in Atlantic City.  Tapped out, blind and half-crazy, we jumped in the car at 7 am Sunday morning and headed for New York City.  We tuned in a radio station as we cruised past some tiny town.  Frank Sinatra was singing, “The Summer Wind.”

We both smiled, alone in our thoughts.  It was the perfect background to our weekend.  As the last few notes began to fade, the deejay segued into “The Core” by Eric Clapton.

I looked at Nelson.  He stared back at me.  “The Summer Wind” followed by “The Core?”  How could that work?

Five seconds later, we exchanged high-fives.  The segue was perfect.

November 12, 1999

Usually, an article about golf is interesting only if you’re a player.  This Editorial, although about golf, is helpful to those who play and those who don’t.  Whether you swing a club or not, you need to be on the cutting edge of today’s terminology so you’ll be able to keep up with discussions about the sport.

Because so many of us in the industry are golfers, and because so many of us actually believe we’re good, I thought I should compile a list of record and radio terms that refer to the game.  Because we certainly play a different brand from that on tour, we must have our own descriptions of golf as we play it and say it.  We all have hit enough “fore” irons in our time.

The following terms refer to “our” game.  It’s only a beginning.  I hope you’ll contact me with more phrases that you’ve heard or invented so I can update this “primer” from time to time.

Linda Rondstadt: When you hit a ball past another in your group, as in, “That was a Linda Rondstadt.  My ball blew by you.” (Referring to her hit: Blue Bayou, for those of you who are a little slow.)

Chilliwack: When you hit a ball out of bounds, as in, “Gone, gone, gone…”

Carpenter: When you hit a ball near your partner’s, as in, “Close To You.”

Milli Vanilli: When you can’t find your ball, you wait until your opponents aren’t looking and drop another.  Since you didn’t really hit it, your partner will say, “I that a Milli Vanilli?”

U2: If you hit a ball into the rough or woods and are having trouble locating it,you tell your group to wait, you’re U2, as in, “I still haven’t found what I’m looking for.”

Peter Gabriel: When you ask your caddy for the driver, you say, “Give me The Peter Gabriel” (“Sledgegammer”).

Eddie Floyd: When you hit a ball into the trees and it bounces off a limb, It’s an Eddie Floyd, as in “Knock On Wood.”

Queen: If you hit a ball out of bounds, drop another and hit that one out of bounds too.  The second shot is called a Queen, as in, “Another One Bites The Dust.”

Dolly Parton: A person who cheats and takes less on the card than the actual strokes.  In other words, if the person changes a “9 To 5,” it’s a Dolly Parton.

Christopher Cross: A ball hit into the water, as in “Sailing.”

A Commodore or a Tony Orlando: When a person birdies a par four, as in, “Three Times a Lady” or “Knock Three Times.”

Paul Simon: If your score for nine holes is a 50, it’s a Paul Simon, as in, “50 Ways (To Leave Your Lover).”

Silver Convention: If you hit a ball that needs more distance, it’s a Silver Convention, as in, “Fly, Robin, Fly.”

Billy Preston: If a person makes a putt that spins around the hole before dropping, it’s a Billy Preston, as in, “Will it Go ‘Round In Circles.”

Ode To Billy Joe:  When you hit a ball into a lake, It’s an Ode To Billy Joe, as in, “…dropped in the water off the Tallahatchie bridge.”

Jan And Dean:  When you hit a ball into the ocean, it’s Jan And Dean, as in, “Surf City.”

And it’s not all about famous artists or songs that make the rounds on the golf course.  If you play with enough people in your business, their personal habits become a part of golfing lore, particularly when their actions are consistent with others on our “tour.”

Here are but a few examples of people whose names have become synonymous with their routines.

A “Kid Leo” is when a person hits a ball out of bounds and immediately drops another.  To be a perfect “Kid leo,” the second ball must actually be in place before the first one crosses the out of bounds line.  Example: “He did a Kid Leo before the first one cleared the tee.”

“Fontaine” or “Morris” (for Justin and Rob) is any kind of intense whining.  Example: “He was Fontaining (Morrissing) so badly, I wanted to quit after the first nine.”

A “Louis Kaplan” is a very short backswing.

To hit an iron off a tee is to “Kilgo,” (John) as in, “I was afraid I would hit my driver in the trap so I Kilgoed.”

Anytime a new club is purchased during a round, it’s called a “Grierson” (Ross).

A “Kiely” (Dan) is when you improve your ball position in the rough.  Example: “I was in a hole so Kieleyed it.”

A “Fitzgerald” (Rich) is a person who takes a long time to explain the last shot, as in, “I don’t have time for the Fitzgerald, just tell me what club you used.”

Then there’s the famous “Gary Bird.”  When you take many strokes on a hole or pick up entirely and want to enter some kind of respectable score, you ask for a “Gary Bird,” as in “Gimme a six.”

And finally, when you hit a ball 300 yards right down the middle with a slight draw, thats a “Gerry Cagle.”

1/30/1998

If you’re interested in an Editorial about the record or radio business, skip this one.  One of the nice things about writing an Editorial is I can choose whatever topic that interests me…and hope it will interest you.

One of the problems in writing an Editorial (other than coming up with a subject every week) is to hope that it’s topical.  I’m writing this in the midst of the Presidential sex scandal…what a great title for a book.  Whether or not this is still news by the time you read it is a crapshoot at best.

So what does the sex scandal have to do with the record and radio industry?  Substantially, very little.  But the effect on our lives and the lives of those around us can be profound…if only on a shallow level.

Bill Clinton is accused of having sex with an intern in the White House. Surprising?  Possibly.  Shocking?  Hardly.

Clinton has been accused of extramarital affairs for years, so this latest revelation is certainly not out of character.  Face it:  Our President is a dog.  Anyone who has trouble believing that can be sold the Brooklyn Bridge…twice in the same week.

What concerns me is the immediate feeding frenzy exhibited by the media.  I haven’t seen anything like this since Jaws.

Don’t get me wrong.  I’m not about to defend Bill clinton or his actions.  I believe anyone who cheats on his wife is morally bankrupt.  To betray that special trust and risk the emotional devastation that follows is unforgivable.  This statement comes from one who ended a marriage and jeopardized a family for exactly that same behavior.  Having said that, let me also say the behavior and outcome should be between the husband and wife.  Period.  It’s nobody else’s business.

Should we hold the President of the United States to a higher standard?  It’s an interesting question.  When polls show that a majority of the married people in the United States are unfaithful to their spouses, who is going to throw the first stone?

Did we agree to marry Bill Clinton or did we vote for him to be President?  Does our President have  to share our morals or should he just make decisions that impact favorably on our daily lives and our future?

Here are the $64 million-dollar questions:  Can a person who cannot be trusted by his wife be trustworthy to a nation?  Can a person who cheats on his wife be expected not to cheat on normal citizens with whom he has no personal relationship?  Can a person who acts immorally–when it comes to sex—be expected to act morally when it comes to questions of national security?

Is the soldier who cheated on his wife, yet gave his life to defend his country, a hero or a bum?

I don’t have the answers.

We all have our faults.  Nobody comes close to perfect.  Maybe that’s why we take such glee in torching someone who is accused of wrongdoing.  It makes us feel better.

It’s interesting, but it has been my experience that those doing the accusing are the ones who are usually guilty.  The ones who are blameless usually don’t care.  Hmmm…

Should Bill Clinton be having sex with a 21-year-old intern in the White House?  Of course not.  And, by the way, her age and job have nothing to do with it.  It’s just terrible judgement.  Is it too much to ask that Bill keep it zipped up for eight years?  Hey, we’re not insisting on a lifetime of monogamy, but for eight short years, with a country to run, can’t he just take cold showers?

Who is more stupid, Clinton or Castro?  You want that Cuban embargo lifted?  Don’t invite the Pope for a visit; bring Bill down.  Smoke some cigars…bring on the strippers.  And Hussein should stop refusing to allow Americans access to his palaces.  Bring Clinton to your house.  Have him take a hit off the nerve gas bong (he won’t inhale) and bring on the dancing girls.

But I digress…

The nation is upset because not only did Clinton possibly have a sex in the White House sans Hilary, but he lied about it.  Oh, my God.  Clinton told a lie.  Five thousand reporters are jostling for position on the White House lawn.  Talk shows are being invented to provide space for special coverage.  Newspapers are printing extra pages to interview people who might have known the girl when she was in college.

Its all about space and time.

Forgive me, but am I missing something here?  Whether Clinton had sex with someone other than his wife in the White House will have absolutely no bearing on our lives.  Whether or not he told the truth about his libido won’t make one, small change in our day-to-day lives.

This is the same guy who promised that if he was elected President, he wouldn’t raise taxes.  We voted for him…and he raised taxes.

He lied.

Where were all the reporters, talk shows and newspaper when this happened?

Forget Clinton for a second.  Our values are out of whack.  Politicians habitually lie to get elected and we wind up paying the “Bill.”  We should hold them all to higher standards about the things that affect us.  We should demand credibility on issues that will make a difference in our lives…and when they don’t, let’s see the same coverage we get when the President unzips his pants for another “non-affair.”

Maybe when we begin to demand that credibility, the land of the free won’t be so expensive to those of us who live here.

6/12/1998

You went uptown riding in your limousine in your fine Park Avenue clothes.  You had the Dom Perignon in your hand and the spoon up your nose.

We work in the most seductive industry in the universe.  If you’re a record executive or a radio programmer, the world is yours…and everything that’s in it.  We dine in the most expensive restaurants, fly first class, see the opening of any Broadway show, jet away to paradises far away, drive the sportiest cars, sit in the front rows of the biggest concerts, have our pictures taken with Rock stars, hang Gold records on our walls, take stretch limos wherever we go, drink the finest wine, smoke Cuban cigars, walk the red carpet and enjoy the high life.

We live under pressure that would crush the average human.  There’s no such thing as nine-to-five in our business.  We stay until the job is finished, then start all over again.  We can’t rest on our laurels.  There’s always another rating period, another record, another opening, another show.  We work hard.  We play hard.  Why shouldn’t we enjoy the fruits of our labor?

Because some of us actually believe we deserve it.

They were all impressed with our Halston dress and the people that you knew at Elaine’s.  And the story of your latest success kept ‘em so entertained.

What’s wrong with us?  We’ve become the epitome of those we despise the most.  We’re the biggest bores on the planet…an obnoxious group of loudmouth ingrates who actually believe the hype we’re paid to spread.  We’ve been told we’re great so many times by the sycophants who surround us that we’re buying into the bullshit hook, line and sinker….not to mention the boat that was paid for by the record company.

Who are we to take pride in our shallow success?  We’re a group of mostly uneducated over-achievers who are full of sound and fury…signifying nothing.  Had we been born a hundred years earlier, we would be little more than snake oil salespeople, traveling from town to town in a covered wagon, pimping Holy water blessed by the saints of Jerusalem to the sinners who would stumble into streets to listen.

We’re the first ones to complain about our seats to the sold-out superstar concert when we should be thankful just to be there.  After all, we didn’t pay for them. We gripe about waiting in line. We’ve pissed because someone else’s name is higher on the guest list than ours.  We go ballistic at the slightest hint of indifference.

“Don’t they know who I am?”  is the biggest catch phrase of our existence.

Well, it’s no big sin to stick your two cents in if you know when to leave it alone.  But you went over the line, you couldn’t see it was time to go home.

Before you think I’m taking shots at everyone else, I use the collective “we” because I’m just as guilty as anyone…maybe more.  Okay, what if I did set the curve?  I have no patience, I refuse to be placated, I expect the best and demand the rest.

So, what’s my point?

Our behavior has become so over-the-top that simple courtesies are ignored.  We are the rudest people in the history of industry…and it needs to stop.

I can’t make people deflate their egos, act their age and stop their ignorant behavior, but I can draw one tiny line in the sand.

Bitch about your concert seats.  Whine about your lack of respect.  Cry about industry indifference.  Don’t return phone calls.  Talk ugly about others.  Brag about yourself.

But stay off the fucking cell phone when you’re spending time with me.

What kind of gall do you exhibit by going into someone’s office or sitting down for dinner only to constantly answer your cell phone as it rings away?  Nothing shows greater contempt.

Turn the thing off.  What can’t wait for a few minutes until you’re finished with a meeting?  Are you trying to show us how important you are?

We aren’t impressed.

You had to be a big shot, didn’t you?  You had to open up your mouth.  You had to be a big shot, didn’t you?  All your friends were so knocked out.  You had to have the last word, last night, so much fun to be around.  You had to have a white-hot spotlight; you had to be a big shot last night.

I once refused to play golf with anyone who carried a cell phone.  But I let it go.  A round can take five hours.  You might need to take a call…particularly if your boss thinks you’re actually working.

But do you really need to be in instant communication when you’re meeting with someone who you pretend is important?  If you can afford a cell phone, you certainly can pop for voice mail.

I can’t stop all of the boorish behavior exhibited by many semi-important posers in our business, but I will make the commitment to end the irresponsible, childish actions of the cell phone freaks.

I’ll make this open promise to the industry…and I urge you to do the same.  Take a cell phone call while you’re meeting with me and I’ll rip it out of your hand and throw it out the window.  It’s the least I can do.

That’s one small toss for good manners and one giant throw toward responsibility.

And when you wake up in the morning with your head on fire and your eyes too bloody to see, go on and cry in your coffee, but don’t come bitchin’ to me.

9/18/1998

The last thing I wanted to write about this week is Bill Clinton. I was determined to write about some jagged edge that was cutting through the entertainment business, but alas, the biggest story in radio and records is the President and the intern. Plus, everyone I ran into this past week said they couldn’t wait for my Editorial on the subject in Network 40.

I was doomed before I started.

It’s on the front page of every paper. Newscasts lead with it. People in supermarket lines are spouting their opinions on the subject. I went to my dentist and he played a record he had just produced called, “Oh Bill, Oh Monica.”  (That’s right…my dentist.  Don’t you just love L.A?)

I have no choice but to chime in with my two cents worth.

What does this have to do with our business? It’s about life…actually, lifestyle. And if this isn’t Mainstream lifestyle, I don’t know what is. Any radio station that isn’t doing promotions about Bill and Monica are way behind the curve. 15th caller for stained blue dresses.  Forget about Cuban cigars. What about Monicans? The Monica Lewinsky look-alike contest is a natural. Oval office kneepads and condoms? The beat goes on.

The release of the Starr Report changed my opinion, but not the way you think. I always believed Clinton was a liar. Who among us didn’t? But I was wrong. The Starr Report made me believe he was telling the truth…as strange as the may seem. Most say the report confirms Clinton as a liar. Consider the facts. During the campaign, Bill Clinton was asked if he ever smoked marijuana. He said he had smoked a joint, but didn’t inhale. Was there one person who believed that answer? Now I believe him. The Starr Report quotes Monica as saying she performed oral sex on the President…but he didn’t ejaculate. This confirms two things: Bill was telling the truth about not inhaling and he’s probably the sickest puppy among us.

What is the weird logic behind this act? If he didn’t come, it didn’t really happen? That’s like dropping bombs without warheads. They crash through buildings, but they won’t explode. What’s the point?

I give up, Bill. You wouldn’t ejaculate, yet you “penetrated her vagina” with a cigar. Did you really think Hillary would buy, “Honey, I didn’t come in her mouth, I just used a cigar dildo. That’s okay, isn’t it?”

I could pontificate for pages about whether or not Clinton’s actions are impeachable. Ladies and gentlemen of the jury, that isn’t the point. The founders of our country provided an opportunity for impeachment if the President comments acts of high crimes and misdemeanors.
How about being stupid?  Shouldn’t that be first on the list?

Not only did Bill have sex with Monica, but he wrote her letters, gave her gifts and engaged in phone sex with her. It’s insane. “Yo, baby, what are you wearing?  Oh, sorry Yeltsin, I thought you were someone else.”

Clinton is a twisted, perverted dog. Not that there is anything wrong with that, but I don’t think it’s asking too much to expect a little more from the leader of our country. People say that many of us have done the same and worse. True, but we didn’t run for office. Clinton could be the most twisted person in the country…right behind Monica Lewinsky.

Many called for Clinton to apologize to Monica and her family. Hey, what about an apology from Monica? This ultimate groupie has brought down the President of our country with it. She admitted that her initial “flirting” with Clinton included her showing him her thong underwear. What happened to a wink and a smile? Why not just sell tickets and start the strip show? This sleaze should have her own stage at the Mitchell Brothers.

This bar-fly not only allows her “lover” to use her most private part as an ash tray, but then shares this intimacy with a grand jury of total strangers. What’s up with that?

And now she’s been offered $2 million to pose for Penthouse. They’ll have to come up with a new centerfold. It’ll be called the “Double Wide.”

Congress is now calling for Clinton to resign or be ready for impeachment. But Bill won’t go softly into that good night. White House aides are already digging up dirt on all those who will throw the first stones. I’m sure in the very near future we’ll be reading about who likes to dress up in latex, get tied to a wheel, greased like a pig and whipped into a frenzy. And don’t be surprised if Ken Starr is first on the list. Do you really believe nobody in his past has ever told him to squeal like a pig?

Starr has done something thousands of companies have been unable to accomplish. He’s gotten more people on the Internet than all efforts up to this point combined.

But at what cost?

Washington D.C. At least we now know what the D.C. stands for: “Disappearing Cigar” or “Didn’t Come.”

I could have reduced this Editorial to the two letters that best describe Bill and Monica.

B.M.

But then you would have nothing to read when you were having one.

10/13/1995

It was 20 years ago today…Sgt. Pepper taught the band to play…

More like 25, I guess, but time flies when you’re having fun.

In the space of a few short weeks, Sgt. Pepper’s Lonely Heart’s Club Band, or as some know them, The Beatles, will have a revival.  Not that their music ever died.  The remaining Beatles are releasing a new album on Capitol next month in conjunction with a television special.  The anticipation has already begun and will build to a fever pitch by showtime.

Who would have thought it when they were first signed? A four-piece band playing pubs in Liverpool would become the greatest musical event ever.  Nearly 30 years after their first release, The Beatles still rock.  Several of their albums go Gold every year.  Their catalogue accounts for a huge percentage of Capitol’s yearly sales.  All of this from a group that stopped recording together in 1969.

Together, John Lennon and Paul McCartney formed the most prolific songwriting team in the history of music.  Not only did they write hits, but their songs changed the face of music.  The same guys who wrote “I Want To Hold Your Hand” also wrote “A Day In The Life. “  They wrote “I Saw Her Standing There” and “Eleanor Rigby.”  Go figure.

Their recording techniques were way pas the cutting edge.  They introduced feedback, overdubbing, backward masking and a ton of other recoding innovations long before anyone else ever thought about them.  Today, studios routinely use 48-track machines.  The Beatles did all their creating on four.

Amazing.

I first heard The Beatles when I was in junior high school.  When I saw them on The Ed Sullivan Show, I was done.  I bought a guitar, grew my hair long and was first accused of being, what they called in the South, a juvenile delinquent.  My father called me a reprobate.  I didn’t know what it meant, but it sounded cool.

I got to meet my favorite Beatle (everyone had a favorite) some years later.  I was, coincidently, in New York at a Billboard convention.  It was about midnight and I was in bed in my room when the phone rang.  Al Coury, then VP Promotion for Capitol Records, was on the line, inviting me to the lobby for a drink.  I was programming KHJ Los Angeles at the time and I figured Al was all revved up to hammer me on the latest Anne Murray cover.  I quickly refused, citing exhaustion as a lame excuse.

Al said, “Aw, that’s too bad, Gerry. I was going to take you over to the Record Plant and introduce you to John Lennon.”

I was in the lobby in three minutes.

John Lennon, my favorite Beatle (did I already say that?), was deep, deep undercover at the time.  He was dodging extradition from the U.S. and had been hiding out in New York City.  Few had seen him in the previous years.

Standing in the lobby, waiting for a cab, I was as nervous as a schoolboy on his first date.  My breath was shallow, my heart was pounding in my chest, my face was flushed and I was using all my energy to pretend I didn’t really care.  Those emotions were minor compared to what was coming.

Al introduced me to an agitated John Lennon in the studio where they were mixing the Walls And Bridges album.  Lennon shook my hand quickly and told me to have a seat on the couch.  Al stepped outside and I sat there in a coma, listening to John argue with the engineer about how the sax should be mixed.  He wanted it high, the engineer wanted it low.  I was in heaven.

Suddenly, Lennon swung around toward me and said, “What do you think, Gerry?”

I almost wet my pants.  “Loud,” I managed.  Like I was going to disagree with John Lennon.

He clapped his hands and shouted.  “Fine then, we’ll let you mix it.”

It was the start of a long friendship.

Several months later, Paul Drew and I were discussing who would fill in for the KHJ morning man while he was on vacation.  Drew suggested asking recording stars to host.  This was long before acts appeared on Top 40 stations.  It had never been done before.

I called record companies and managers for days.  No luck.  Nobody wanted to do it.

So I called John…not to ask him.  Certainly John Lennon wouldn’t want to be a deejay, but to get his advice.

He said, “I’d love to do it.”

We spread the word that John Lennon (who hadn’t done a public appearance in years) would be on the station and everyone who had said no originally quickly changed their minds.  I had to give the morning man an extra week off to accommodate all of them.  The tapes of John’s show are unbelievable.  His appearance made national news.  Coury never forgave me for wearing a Warner Bros. jacket when NBC televised it.

The unique thing about this was that John didn’t do it for publicity or for a hidden agenda.  He did it to help a friend.

Before going on the air, he wrote me a letter listing his favorite records of all time, asking if he could play some of them.  (Like I’m going to disagree with John Lennon!)  I still have the letter.  Some people say it’s worth a lot of money.  To me, it’s priceless.

I spent a lot of time with John after that.  I was the booth when he did his famous Monday Night Football interview with Howard Cosell, was thrown out of the Troubadour with him when he put a Kotex on his head, listened for hours as he worked with Phi Spector on the Shaved Fish album and was there the night “someone” went berserk and shot up the A&M studio.  I drove him home after the incident.

It was the last time I saw him.

There are other stories to tell, but we’ve got time for that later.

This week, Hollywood Records released a tribute album of John Lennon songs entitled Working Class Hero.  It’s featured on our cover.  There’s also an interview with Lindy Goetz, the executive producer.

The album, and the season, have made me more than a little nostalgic.  Maybe it’s the full moon.  Maybe it’s the Billboard convention.  I haven’t been to one since I met John Lennon.

How could I top that?

I can’t imagine.